Alphabetical Africa by Walter Abish

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	• Alphabetical Africa (New Directions Book) Walter Abish New Directions Publishing Corporation, 1974 - 164 pages average customer review:based on 3 reviews view larger image
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Bravo, with reservations

The reviewer below has given a fine summary of the book, and is, for the most part, correct on all accounts. This is precisely the kind of novel that can revitalize fiction again, save it from simply providing subject matter, "interesting" or"meaningful" stories (which most ofter turn out to be neither). Alphabetical Africa is a commendable novel simply for what its form is, for the composition that makes it Art rather than mass-marketable fiction. It deserves applause and merits reading.However, it could've been better. Maybe it needed more planning, maybe it needed to be even more radical. Despite being so overtly experimental, it remains burdened by highly conventional narrative expectations. Given the constraints of the form, the narrative, though it's certainly full of surprises, isn't that fulfilling.Also worth noting in the "could've been better" category: I agree with the reviewer below that one "error" serves as a pleasure to the reader, like a insider's wink from the author. However, once I found a fourth "error" in Alphabetical Africa, I began to feel that the author wasn't winking, his eye was twitching involuntarily.Great pioneering work, but not quite a great novel.

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The errors were not intentional

Years ago I wrote a paper on Alphabetical Africa that asserted, in part, that the "story" struggled to express itself through the alphabetical artifice, some evidence of which was to be found in the erroneous use of words beginning with disallowed letters. Someone who knew Abish mentioned this to him at a party, and he replied "You're kidding! My editor and I went over it again and again to make sure there weren't any errors!" So viva la story!

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Alphabetical Africa by Walter Abish

Alliterative Analogies, assertively assembled, appear aplenty, appropriately, apt and artful, absorbing attention ad infinitum. This could be a fitting summary of Abish's stunningly "now" novel, written almost a quarter of a century ago with a linguistic device concocted between Kabbala and alliteration. Chapter 1 is composed with words beginning only with the letter A, Chapter 2 with A and B and so on until chapter 27, when Z first, then chapter by chapter all other letters, are progressively subtracted. In spite of a scheme tracing back to the beginning of written literature, the novel tells of deeds and characters so surprisingly contemporary, they may have been culled from today's headlines: polysexually inclined thugs hide in Africa after a crime spree, with the Author in pursuit of the woman who betrayed them. Chasing after the thugs from country to country, we are introduced to a ruler queen transvestite, war and genocide, corrupted burocrats and soldiers, rampant corruption in a landscape still in hot air, where sparsely assembled people wollow in African Indolence. All is narrated with poetic detachment, in a dimension between joke and dream that implies social, political and historical commentary with what appears linguistical accidentality: it is just that the words were limited by my artifice, reader, the Author seems to smile. No harm intended. Perhaps: the scenario may have seemed so far fetched in 1974, to have been deemed the product of unabridged fantasy. Great art, when unhindered, relates to the whole of time, in all tenses. While amusing, Abish has managed a ponderous read, which meandering on through verisimilar everyday history of attitudes and practices, inserts deep philosophical reflections as light as the puns enclosing them and extends like a prophecy to contemporary events. Attentive readers will delight in finding the one slip from the add-subtract letter scheme. And wonder: was it accidental? "In order to be perfect, all I lack is a defect" goes an ancient italian folk ironic couplet.

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Abish, Alphbetical Africa. A continent forms and crumbles through a linguistic tour de force.