I loved that the images are laid out chronologically. This book contains a lot of previously published work but that is fine with me-how else would he discuss his works if we could not look at them while reading about them?!? I liked reading what led him to begin working on a certain project or what drew him to continue working with a medium (i.e. designing his own stamps). I liked hearing where he gathers pieces to use in his collages and how he puts his collages together. After reading this book I have an even deeper appreciation for his books and artwork.
I thoroughly enjoyed reading this cover-to-cover and delighting in his gorgeous artwork. It is truly inspirational. As a person who is naturally better at writing than making art, I envy Bantock's ability to make such beautiful and thoughtful artwork!
Of course, it includes extracts from Griffin and Sabine. Those may be my favorites - I think there is material here that extends the G&S story, but was never in the original books. It also covers The Venetian's Wife and Museum at Purgatory, both of which I enjoyed. There isn't enough from any of the books to spoil them for the first-time reader, though. This is a summary of Bantock's work, not a complete catalog.
There is some biographical information here, mostly covering his career from college through book publication. I was a little put off by parts of it, though. Bantock has certainly been successful as an illustrator, and rightly takes pride in that accomplishment. His pride tends towards smugness, though, not something the reader needs to see.
Still, it's a good coffee table book. It's easy to thumb through, and has material that was not already presented in his other books. It would have been even better with a bit more artwork, or at least a bit less self-congratulatory text.