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MUSICAGE: CAGE MUSES on Words * Art * Music
John Cage, Joan Retallack

Wesleyan, 1996 - 408 pages

average customer review:based on 4 reviews
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Charming, delightful, thought-provoking

I know nothing about music, but I loved this book! Cage's conversations brim with humor, wisdom, and amazing insights into every subject under the sun. It's an enormous pleasure to spend a few hours "in his company" by reading this book.


Excellent!!

If you are familiar with Cage's art, you will love this account of Cages views on art and life. Joan Retallack's compilation of interviews and thoughts are precious and informative, to those of us who are fond of Cage's work and thinking. Great writing. If you are not familiar with John Cage, where have you been?... Well, it is not late to start. Excellent book.


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good stuff from precious minds

Joan Retallack is immensely gifted. If you're familiar with John Cage, you'll like this book. If you're not too familiar with John Cage, well, I have someone I'd like you to meet.

This is entertaining, compelling, thought-provoking stuff. I can think of few other people who are so mindful of WORD USAGE, or in this case, I guess, WORD "USCAGE." Many insights in this book. I recommend it highly.






a valuable document

Joan Retallack, a long-time friend and colleague of John Cage, has done us the favor of publishing this series of conversations between the two of them. These conversations (for they lack any conventional formality that might render them 'interviews'), which took place not long before Cage's death in 1992, run the gamut of topics. Through their amiable banter, one gets a great sense of what was going on in the oft-misunderstood artist's mind--especially as regards his fixation on chance operations and the I Ching. The talks also give ample insight into Cage's writing and visual art, practices for which he is lesser known. When not provoking thought about Cage himself, the two (and I mean both of them equally; Retallack has a meticulously rich and compelling mind, and expresses many enlightening points-of-view herself) have revealing conversations about everything from Duchamp to Joyce, Buckminster Fuller to the Koran.

Perhaps the most interesting and rare aspect of the book is the pervasive inclusion of the environmental and more mundane details of the conversations. She is careful to note the frequent occasions when Cage laughed, what he might have been cooking that day, interactions with an artist who stopped by to fix a bookshelf as a favor to Cage and to Merce Cunningham. Especially valuable is the penultimate conversation, when we are made privy to the beginning of Cage's composition process, as he begins to write a new piece on the spot with cellist Michael Bach. These insights into Cage's daily domestic life are perhaps the most revealing aspects of the book into his personality and philosophies.

For those familiar with Cage, this is a must-read. If you are skeptical or confused about his work, these talks will clarify a lot for you. If you have yet to be exposed to Cage, I recommend this book highly as an accurate and exhaustive portrait.


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The entire range of John Cage's work and thought, explored in three wide-ranging dialogues, which constitute his last unified statement on his art.



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