The Beat Louvre

books:


	• The Collected Poems of Philip Whalen (Wesleyan Poetry) Philip Whalen Wesleyan, 2007 - 932 pages average customer review:based on 1 review view larger image
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The Beat Louvre

This remarkable collection gathers the full range of work from one of the 20th century's most unpretentious experimenters with the form and matter of poetry. Granted, 800 pages is a lot of anyone, even a poet as great and under-read as Whalen, and the gain in information comes with a corresponding loss in shape. Whalen's refusal to separate writing from the business-as-usual work of living gives his poems their special tension--the "nerve movie" that's at once transcription of mind moving and competitive bid to be Art--but also invites sameness and slack, a problem more apparent here than in previous collections, especially On Bear's Head, where the batting average dazzles. Reference-wise though, having this book is like owning a wing of the Beat Louvre, and I wouldn't trade it for all of Mexico City and its blues.

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One of the most path-breaking and creatively radical poets of the San Francisco Renaissance, Philip Whalen was part of the 1955 Six Gallery reading where the West Coast Beat movement famously began. Working alongside Allen Ginsberg, Gary Snyder, and Jack Kerouac, Whalen developed a conversational and visually unorthodox style that is unique in contemporary poetry. His lifelong engagement with the impermanent and sensuous, concerns deepened by his commitment to Zen Buddhism, are on rich display here, along with his warm humor and original illustrations. This Collected Poems rightfully places Whalen among the foremost poets of his time, offering readers a truly major body of American poetic work.

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