books:

	• Journal of Katherine Mansfield Ecco Press, 1983 - 255 pages average customer review:based on 3 reviews
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If you've never read her short stories (she never wrote anything else), please do, and I would advise you to read them before you read her journal.

The book itself seems like it could be published as a stream-of-consciousness novel (it's impossible to follow at times but no worse for it. It seems to make perfect sense - even the numerous cryptic little notes). It's full of little pieces of stories never finished. Mansfield's body of work was so small (something that upset her deeply) that these little fragments would be enough to make any fan of hers need to read this journal.

She is most often compared to Chekhov, and it's not difficult to see why. I truly believe that Mansfield innovated and practically invented the English (language) short story. Besides Chekhov (whom she often mentions in her journal) I've never read anything quite like her, particularly not anything that predates her.

What else you need to know:
1. Mansfield was born in New Zealand, the influence of which can be seen in short stories like "At the Bay".
2. Her husband, J. Middleton Murry, published her journals, causing some to accuse him of taking advantage of her.
3. You must read this book.

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5 stars is not enough

I first heard of this book in a 1927 review of it by Dorothy Parker (available in the 1944 edition of The Portable Dorothy Parker, as well as subsequent editions I believe, including the 1973 one). Parker's review is beautifully apt. She says, "I think that the Journal of Katherine Mansfield is the saddest book I have ever read. Here, set down in exquisite fragments, is the record of six lonely and tormented years, the life's-end of a desperately ill woman. So private is it that one feels forever guilty of prying for having read it." Mansfield suffered from a heart condition and later tuberculosis which kept her in a constant state of physical misery for years. Even worse for her was the constant torment of never being able to achieve enough as a writer to satisfy herself. Parker is completely right: I can't think of who could capture that constant, acute sorrow better than Katherine Mansfield. As Parker said, "She was not of the little breed of the discontented; she was of the high few fated to be ever unsatisfied."

If you've never read her short stories (she never wrote anything else), please do, and I would advise you to read them before you read her journal.

The book itself seems like it could be published as a stream-of-consciousness novel (it's impossible to follow at times but no worse for it. It seems to make perfect sense - even the numerous cryptic little notes). It's full of little pieces of stories never finished. Mansfield's body of work was so small (something that upset her deeply) that these little fragments would be enough to make any fan of hers need to read this journal.

She is most often compared to Chekhov, and it's not difficult to see why. I truly believe that Mansfield innovated and practically invented the English (language) short story. Besides Chekhov (whom she often mentions in her journal) I've never read anything quite like her, particularly not anything that predates her.

What else you need to know:
1. Mansfield was born in New Zealand, the influence of which can be seen in short stories like "At the Bay".
2. Her husband, J. Middleton Murry, published her journals, causing some to accuse him of taking advantage of her.
3. You must read this book.

for more information click here

for more information click here

It is not just a book, it is a guide for happiness.

Both Katherine and her work are like a flower that has grown within the weeds that make up life.



Unabridged audiobook in MP3 format.

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