Graham's handling of great art and twice-told tales is refreshing in its idiosyncratic usage (and criticism) of postmodern conventions. Reading this book, one cannot fail to see the connections between Graham and Donne, Graham and Derrida, Graham and Ashbery. It's important, I think, especially for readers who fail to grasp many of her ideas, to envision Graham's poetry as part of a much greater discourse between metaphysics and history.
In "Orpheus and Eurydice," Graham retells the story of the mythological lovers, but through the eyes of Eurydice herself, as she vanishes into thin air forever. And in "Breakdancing," she splices together scenes of Saint Teresa's ecstatic prayers in Avila, and breakdancers on a city sidewalk, thus delineating the sense of a multiple reality.
The book will surely leave you with a heightened appreciation for art, as well as art's role in defining and redefining the world.