At the same time, after a while I became a bit bored with the simplistic remarks of life in the country. My own shortcoming, not the book's.
White had moved there with his wife and young son from New York, where he'd been writing for The New Yorker, and took up country living, turning his attention to the annual round of the seasons, farm work, the nearby seaside, and the company of independent rural people. Most of the essays in this collection were written and published monthly in Harpers from July 1938 to January 1943. In them, there is White's awareness of the ominous threat of fascism emerging in Europe, as well as the vulnerability that Americans felt as they found themselves facing prolonged armed conflict with powerful enemies. These were dark days, and they provide a constant undertone in these otherwise upbeat essays about rural and small-town life.
And they are upbeat, celebrating the pleasures and gentle ironies of daily life with a few side trips into the world beyond -- the birth of a lamb, paying taxes, farm dogs, hay fever, raising chickens, Sunday mornings, radio broadcasts, civil defense drills, a visit to Walden pond, a day at the World's Fair, and unrealistic Hollywood portrayals of the pastoral. There is also here his famous essay "Once More to the Lake."
In many ways, the world he writes about is gone forever. But it's a world whose spirit remains at the heart of the national identity -- participatory democracy, individualism, citizenship, self-discovery, and self-reliance. Reading these essays, while they are often about seemingly trivial matters, you sense White's deepening faith in the American Experiment -- a belief in America as a work in progress.
And, of course, there is the famous White style, both simple and elegant. Its language, sentence structure, and movement of thought convey both sharpness of mind and generosity of spirit, in a manner that looks and sounds easy, but it is very hard to imitate. I recommend this book to anyone with an interest in the WWII homefront, the essay as a literary form, and a curiosity about rural life before farm subsidies and agribusiness.