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Desire Never Leaves: The Poetry of Tim Lilburn (Laurier Poetry)
Tim Lilburn

Wilfrid Laurier University Press, 2006 - 64 pages

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A welcome and strongly recommended introduction to one of Canada's best poets.

Selected and with an accompanying introduction by Alison Calder (winner of the Bronwen Wallace memorial Award for Poetry in 2004, co-editor of 'History, Literature, and the Writing of the Canadian Prairies, and an instructor at the University of Manitoba), "Desire Never Leaves: The Poetry Of Tim Lilburn" showcases a unique and accomplished voice Canadian poetry. Tim Lilburn's verse reflect a contemplative and questioning approach to humanity's relationship with nature, as well as the relationship of the artist to the Divine. "Desire Never Leaves" is a welcome and strongly recommended introduction to one of Canada's best poets. 'In The Hills, Watching': Among the nerved grass, thrones,/dominions of grass, in chokecherry dewlapped hills,/hills buffalo-shouldered with shag of pulsed heat, meek hills,/sandhills of rose-hip and aster, in the philanthropic silence/the frail piston of all,/in hill heat, lying down in the nearness of deer./All knowing darkens as it builds./The grass is a mirror that clouds as the bright land goes in./You stay in the night, you squat in the hills in the cave of night. Wait./Above, luminous rubble, torn webs of radio signals./Below, stone scrapers, neck bone of a deer, salt beds./The world is ending.


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The selected poems in Desire Never Leaves span Tim Lilburn?s career, demonstrating the evolution of a unique and careful thinker as he takes his place among the nation?s premier writers. This edition of his poetry untangles many of the strands running through his works, providing insight into a poetic world that is both spectacular and humbling.

The introduction by Alison Calder situates Lilburn?s writing in an alternate tradition of prairie poetry that relies less on the vernacular and more on philosophy and meditation. Examining Lilburn?s antecedents in Christian mysticism and the ascetic tradition, Calder stresses the paradoxical nature of Lilburn?s writing?the expression of loss through plenitude. The divine in the natural world is glimpsed in brief flashes; nevertheless, the poet, driven by love, continues his quest for what glitters in things.

Tim Lilburn?s afterword is an evocative meditation grounded in personal history. He speaks of how poetry, a craning quiet, allows one to hear what is alive in the world. He also describes how poetry is resolutely attached to both a historical moment and an individual subjectivity that is inevitably anchored in time. Lilburn?s poetry is both a religious undertaking and a political gesture that speaks to the urgency of situating ourselves where we live.




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