The Last Of Psmith Is The Best

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	• Leave It to Psmith P. G. Wodehouse Amereon Limited, 1988 average customer review:based on 33 reviews
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highly recommended

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This is an early sort of try-out version of his later masterpieces on Jeeves and Wooster. It was absolutely hilarious at times, with that wonderful upper crust stilted language Wodehouse was such a genius at, but at other times could be a tad plodding. Some romance here, which he would totally discard later. You can see Jeeves blooming in PSmith, and Wooster in Freddie Threepwood. Also Aunt Agatha in Lady Constance. But a marvelously convoluted plot, with all sorts of interwoven characters. and The Drones Club is here already.

The Last Of Psmith Is The Best

"Leave It to Psmith" was originally published in the U.K. on November 30, 1923 by Herbert Jenkins, and in the U.S on March 14, 1924 by George H. Doran. The edition I am reviewing is from "The Everyman Wodehouse" series published by Everyman's Library in the U.K., and for those in the U.S., you may be able to find the equivalent quality in "The Collector's Wodehouse" series which is being published by Overlook Press.

I did not have high expectations for this book, because I didn't think "Psmith in The City" was very good, but Wodehouse's writing clearly improved greatly over those 13 years, and the merging of the Psmith character with the cast at Blandings Castle was great chemistry. The character of Ronald Eustace Psmith (formerly known as Rupert Psmith and in both cases the P is silent), was much more interesting in this book than I found him before. He fits right in with the other Blandings characters such as Lord Emsworth, Freddie Threepwood, and a great foil for Rupert Baxter.

In this story, we have a diverse set of characters, all converging on Blandings Castle, and more than a few with the idea of stealing Lady Constance's necklace. Their motives are rather diverse, but whether they want it for money, freedom, or love, there is no shortage of people out to get it. As one would expect in any Wodehouse story, there is a fair amount of assumed identities and amazing coincidences which drive the story forward. Psmith, himself takes on the identity of Mr. Ralston McTodd, a poet from Canada in his pursuit of the beautiful Eve Halliday. The best part of the book, in my opinion, is the flower pot scenes, which is some of the funniest writing I have read in a long time.

As the second of the Blandings Castle novels, and the last of the Psmith novels, this was a great improvement on both of those series. The Blandings series would continue to grow from this point, and there are many more great stories in that series. I do not believe the character of Psmith appears again in any of Wodehouse's stories, but the fully developed Psmith that appears in this work does foreshadow such characters as Jeeves and Uncle Fred. If you didn't care for Psmith in the previous works, you may still want to give this one a try. This is Wodehouse at his best.

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Always Wonderful

If you know Wodehouse, you love Wodehouse and this book will just confirm your feelings. If you don't know Wodehouse, read this or any other book and you will fall in love with him. Every book you read is like going on vacation.

Best Wodehouse book I've read

In my opinion, this is the best of Wodehouse, and I was pretty surprised at it.

Both sublime and ridiculous

I had only read one or two Wodehouse comedies, so long ago I don't recall precisely which ones. They were good. "Leave It to Psmith" is great. It won't be years until my next. (And my copy of "Leave It to Psmith" now goes to my 90-year-old mother.)

In addition to wonderful, loveable characters, laugh-out-loud narrative and dialogue, and a marvelously convoluted plot that almost defies summarization, the book also features semi-serious but still wryly and deftly expressed observations, such as: "What I like about the English rural districts * * * is that when the authorities have finished building a place they stop. Somewhere about the reign of Henry the Eighth, I imagine that the master-mason gave the final house a pat with his trowel and said, 'Well, boys, that's Market Blandings.' To which his assistants no doubt assented with many a hearty 'Grammercy!' and 'I'fackins!' these being expletives to which they were much addicted. And they went away and left it, and nobody has touched it since."

Yes, this is sheer entertainment, brain candy. But it also is superb and masterly. It is narrative comedy at its best.

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reviews: page 1, 2, 3, 4, 5, 6, 7

?You don?t analyse such sunlit perfection, you just bask in its warmth and splendour.? Stephen Fry

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