Wonderful sampler of Renaissance manuscript art and calligraphy

books:


	• Mira calligraphiae monumenta: A Sixteenth-century Calligraphic Manuscript inscribed by Georg Bocskay and ... Lee Hendrix, Thea Vignau-Wilberg Getty Publications, 1992 - 424 pages average customer review:based on 2 reviews view larger image
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Wonderful sampler of Renaissance manuscript art and calligraphy

I love this volume! It has an amazing variety of virtuoso calligraphy combined with marvelous illuminations of fruits, flowers,and small creatures. It's a sampler of everything a very imaginative calligrapher could put on a page. The text is interesting and informative. It was a good buy!

Beautiful reproduction of an exquisite manuscript

This is an excellent reproduction of an exquisite manuscript produced during the last phases of the hand-written, hand-illuminated book. The introductory texts are concerned primarily with the history of the two artists responsible for the creation of this work, with some space devoted to its provenence and patron. The majority of pages are, of course, devoted to the plates themselves; no words can do justice to the art displayed therein. Commentary on the plates is mostly limited to identification of the various flora and fauna displayed on the pages

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In 1561-62, Georg Bocskay, imperial secretary to the Holy Roman Emperor Ferdinand I, inscribed the Mira calligraphiae monumenta as a testament to his preeminence among scribes. He assembled a vast selection of contemporary and historical scripts, which nearly thirty years later were further embellished by Joris Hoefnagel, Europe's last great manuscript illuminator. This book, now in the collection of the J. Paul Getty Museum, is reproduced here in complete facsimile form, accompanied by a commentary that includes a full description; a discussion of its patron, Rudolf II, and his cultural and historical milieu; the biographies of Hoefnagel and Bocskay; and an analysis of the manuscript's role in their careers. The introduction discusses the broader issues raised by the manuscript. Topics include Hoefnagel's nature imagery, which encompasses plants, fruits, and small animals, and its relation to the spread of interest in botany and zoology at the end of the sixteenth century. Another topic is calligraphy and its place in the art and culture of the sixteenth century. The manuscript's remarkable calligraphy will be of particular interest not only to scholars but to collectors, graphic designers, and typographers as well.

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