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Beautiful Evidence
Edward R. Tufte

Graphics Press, 2006 - 213 pages

average customer review:based on 42 reviews
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A Repeat and Tackle on Previous Work

Good volume for those who may want an slightly deeper insight into visual communication. For the most part the analysis is well crafted, with stimulating insights. Sometimes a bit too repetitive, and obsessed with its own neurosis. For instance in the struggle against Power Point presentations, while I agree with him on most of the analysis, like Tufte also points out quickly early on it is not about PowerPoint but about the use given to it and the paradigm associated. He could be much clearer since I believe that the most important points are not about the software. Also I disagree with his interpretation of intellectual ownership, I also think that rights should not be given exclusively away but do advocate for a public, open, and shared cultural production. But that is another conversation...

All in all, it is a recommendable book, which - even if a little bit too hyped up for what it is supposed to offer - still offers a valuable read.


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The least of the Four Books

This book does not hold up in comparison to the first 3 from Tuft. This appears to be made up of a number of unconnected papers. The most important in my opinion is the introduction of sparklines. It's worthwhile to revisit Minard, The inclusion of the work on Powerpoint is OK, but the inclusion of Tufte artworks/sculptures seemed a little self serving and left me confused as to the point. The production qualities of the book are superb, but the content inconsistent









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Disappointing

Like many of the other reviewers, I too am a fan of Tufte. This book, however, is not up to the normal standards that his other books are. The chapter on the evils of PowerPoint was very amusing and insightful, but you can purchase that separately from Amazon.com at The Cognitive Style of Power Point.


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reviews: page 1, 2, 3, 4, 5, 6, 7, 8, 9



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