No Superficial Linguistic Dust Here

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	• The Sea-Hawk Rafael Sabatini Tantor Media, 2002 average customer review:based on 13 reviews view larger image
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highly recommended

Action from cover to cover

I find it hard at times to pick up novels written a century ago or so, the language can be archaic, the pace a little slow... Not so this novel. It amazed me how quickly I could adapt to Sir Oliver and his world. The heroes were larger than life, the villains deliciously captivating. I found it incredibly hard to put down. It's just nice to read about a hero that stands for something, a person true to their beliefs. Purists would say Sabatini relies on coincidence to move his plot forward, but the world he creates makes it all believable. If you are hesitant about reading the prose of classic swashbuckling literature, read the first three chapters, I guarantee you'll be hooked ;)

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Escape Into Fascinating Characters

"Captain Blood" is adventurism with lots of action and good character studies. "The Sea Hawk" is also adventure but with far less action and more fascinating character studies. Sabatini invents intriquing thought processes for the leading characters that lead to the unexpected . He is almost as good as Tolstoy in opening up heads. The translation is excellent as the words just flow making it difficult to put the book down.

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First rate swashbuckler!

Captain Blood pales in comparison. This is an Erol Flynn type story with no holds barred. Tougher to make a film on it, but the story is stop notch. I really enjoyed it and was sorry whe the book ended. I wanted more.

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No Superficial Linguistic Dust Here

Having recently read several modern novels by contemporary authors, I was transported by THE SEA-HAWK back in time to an earlier style of writing and a distinctly different use of language. How many books, for instance, have you read lately that use the verb "trepan" very frequently? Didn't think so.

Having found modern authors' use of language to be pretty bland and, in a few instances, actually to violate grammatical convention, I was thrilled to encounter Sabatini's 1915 novel with its beautiful, effective use of the language. For a lad born and educated in Europe, Sabatini wrote in English with a felicity that usually eludes native-born American writers, and, dare I say, quite a few British authors, too. Thinking of the modern American authors I have read lately, I can say with pleasure that reading Sabatini is like taking a fresh, invigorating intellectual shower and thoroughly ridding oneself of the superficial linguistic dust lingering from their various works.

Of course, there is far more to THE SEA-HAWK than its sparkling use of language. Sir Oliver, or, to use his Muslim name, Sakr-el-Bhar, is a complex character who responds to his changing fortunes as a real person who wishes to survive and even prosper, yet who retains his dignity in the face of undeserved adversities that could have easily crushed a lesser man. The plot is truly gripping, and the reader eagerly pursues the story to learn what will befall Sir Oliver next and whether he can somehow extricate himself from this new quandary and perhaps even turn the situation to his advantage.

All is believable. The settings in which the plot unfolds are exotic but realistic. Though he knows it is fiction, the reader can easily accept the reality of the setting, the characters, and the action. While certain fortuitous coincidences do occur from time to time, no miraculous escapes or incredible rescues are foisted upon the hapless reader. Nothing untoward jars him from his vicarious participation in this great adventure.

Enjoy THE SEA-HAWK for its wonderful use of language. Enjoy it for the variety and depth of its characters. Enjoy it as a swashbuckling adventure on the high seas. (One simply cannot write about Sabatini without using the word "swashbuckling" at least once.) Enjoy it for the reality of its settings and events. There are critics who say that THE SEA-HAWK does not reach quite the same degree of excellence as do some of Sabatini's other novels, such as CAPTAIN BLOOD and SCARAMOUCHE. However, I beg to disagree with them. If you have enjoyed any of Sabatini's other novels, do not hesitate to read this one, for it is equally enjoyable. If you are coming to Sabatini for the first time, you will find THE SEA-HAWK to be a fascinating introduction to his work, and you will be as motivated as I to follow it with several of his other novels. Once begun, Sabatini is habit-forming!

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reviews: page 1, 2, 3

Sir Oliver Tessilian, a Cornish nobleman, is abandoned or betrayed by everyone he ever loved. He is framed for murder, affronted and shunned by his fiancA(c) and sold into slavery by his half brother.

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