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A Glossary of Literary Terms
M.H. Abrams
,
Geoffrey Harpham
Wadsworth Publishing
, 2008 - 393 pages
average customer review:
based on 13 reviews
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highly recommended
Beware Beware!
The reader who complains that the 8th edition is radically different from previous editions with respect to the definitions of
literary
terms such
as sonnet and ode is entirely mistaken. The entries on these and other terms are either unchanged from earlier editions or improved and updated. Moreover, a number of new terms have been added.
nice explanations
Abrams supplies very nicely written explanations of many
terms
you are likely to come across in literature, or more specifically, in
literary studies
. If you have puzzled over an "objective correlative", then he explains that it wasn't due to TS Eliot, as many believe, but to Allston. Though Eliot was the one responsible for popularising the term. Or, if you want to use "doggerel" properly when deconstructing some Bukowski poem, perhaps check Abrams first.
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Still simply the best
Abrams, accomplished scholar and critic, has created a monument for himself and the best, most reliable, and concise
glossary
of
literary
terms
. Opening up the recent trends, but not as trends, as developments from within established scholarship and literary science. This glossary is special, with a good index of terms, one for authors, and dense, usable, clearly written articles with further reading, its form is unchanged since it first appeared in 1957. The 8th edition I purchased opens with the Absurd and closes with Wit, Humor, and the Comic. The articles are articles, not just key terms defined, but developments traced and contextualized. This is no replacement for an encyclopedia of literature or an Oxford Companion, but a vital tool next to these. None of us can keep every term in mind, and this is a serious book to help our feeble minds, for which we should be grateful and which delivers bang for the buck.
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Essential for Lovers of Literature
Every student of literature should have their own copy of this book. Non-students would get a lot out of this too. And while the price might appear excessive, I think in the long-term this book is a worthwhile investment. What makes this guide of
literary
terms different
from others, is its comprehensiveness. Abrams goes into great detail on the important terms that one comes across most often in literature. There is information on theories and movements in criticism and terms such as modernism and post modernism, are clearly defined. there is also material on symbolism, metaphor and other figures of speech and so on. A
Glossary
of Literary Terms, now in its 8th edition, is written in a lucid style, and is a must buy for anyone who wants to expand their literary horizons. Recommended. 5 stars.
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Review of M.H. Abrams' Glossary of Literary Terms
This is a very well-researched encyclopedia covering almost any
literary term
that comes to mind. Try it, look up the term as if using a dictionary and one finds a clearly written paragraph, if not essay, that explains it all. It also provides links that can point the reader in different directions. In the event of literary jargon overload, there is no better treatment currently available.
As a student, this is an essential reference for me, but it is also something that I would want to keep forever as I think it would be very difficult to find such a useful, interesting and intellectually credible/incredible guide to literary
terms
. As a future teacher I look forward to using this book for many years to come.
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reviews
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First published fifty years ago, A
GLOSSARY
OF
LITERARY
TERMS remains
an essential text for all serious students of literature. Now fully updated to reflect the latest scholarship on recent and rapidly evolving critical theories, the ninth edition contains a complete glossary of essential literary terms presented as a series of engaging essays that explore the terms, place them in context, and suggest related entries and additional reading. This indispensable, authoritative, and highly affordable reference covers terms useful in discussing literature and literary history, theory, and criticism. Perfect as a core text for introductory literary theory or as a supplement to any literature course, this classic work is an invaluable reference that students can continue to use throughout their academic and professional careers.
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