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Fretboard Roadmaps - Ukulele: The Essential Patterns That All the Pros Know and Use
Jim Beloff, Fred Sokolow

Hal Leonard Corporation, 2006 - 80 pages

average customer review:based on 11 reviews
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   highly recommended  highly recommended





Good Stuff

Who could say anything bad about Jim Beloff? He is the modern crusader of the ukulele. There are not many decent uke instruction books out there but this is worth having. It's also one of the rare places you will find scales for the uke.
I've played uke for many years and there is a lot for me to learn from this book. I think it can be useful to any level player.


My last attempt.

I thought that I had seen all that there was to see in respect of Ukulele "How to play books" and have a veritable library of them in my study. Today I can just about struggle through the accompaniment chords to "Way down upon the Swannee River"
However, recently in my Amazon "Suggested items that might interest you" space, appeared the Hal Leonard publication 'UKULELE FRETBOARD ROAD MAPS'. (give that man a raise!) because it is the very best I have seen and if I
am not able to learn from this book, I shall donate my ukes to Oxfam and take up the trombone. At least it isn't possible to play chords on the old slush pump.

Many thanks , Peter Durham.


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ukuele roadmaps

This is a good book for someone willing to put in the time. Lots of info






This one's a keeper

My experience with beginning ukulele books has been pretty uniformly
disappointing. They all promise to include everything you could
possibly need to know, when in in my experience they have all been
thin, padded with useless filler, and lacking a coherent path to get
from "here" to "there".

This book is a __VERY__ welcome change, and at a sweet price to boot.
To be sure, it is not a beginner's book. The very first song (Sloop
John B.) has a tricky rhythm (e.g., three quarter notes in two beats)
and a shuffle strum with some down strokes missing; as a result,
only about half of the words actually coincide with a strum. This is
not a criticism of the book, just pointing out the level of difficulty
you'll hit in the first few pages. Fortunately for me (an arhythmic
klutz) the focus of the book is on learning the fretboard !

I must say that the CD is a huge help. My beginner's books either had
no CD at all, or the recordings were so dorky that I felt impatient to
move ahead and get to some "real" music. The teacher on this CD,
however, has a very inviting style, and you get the feeling that he
would be a fun person to jam with or watch in performance. A big plus
if your skills require you to listen to the same track over and over
and over...

This book is not about music theory per se, but but rather a practical
framework for learning how to physically hit the right notes; i.e.,
it doesn't attempt to describe *why* you would use a D7b5 chord, but
it helps you develop the skill so that when you have to play one you
know what your various options are and you can get your fingers in the
right place without thinking too much.

I have only completed about half of the book so far. I've learned the
basic movable chord patterns (3 each of major, minor, 7th), and am
starting to practice with them. The songs in this part of the book
take one chord (G major, say) and move it up and down the fretboard
for several measures before changing to a new chord. This kind of
practice is necessary to internalize what you've learned, but the
authors do a nice job of making the practice interesting and fun,
pointing out how to spice up your music rather than just saying
"memorize this" and jumping to a new, disconnected topic.


I look forward to working my way through this book, and I definitely
intend to revisit it again and again. As my title says, it's a
keeper !


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Very interesting and helpful

I would consider myself an advanced beginner at this point, having messed 'round a bit with the guitar and mandolin over the years. My dad bought me an ukulele when we were in Hawaii, and I have found it much easier to play than the guitar. I already have a pretty good understanding of music theory, having played the piano for about 40 years, and this book is very helpful translating the building blocks of "how music is made" into techniques of "making music." As with any skill, there are patterns of playing and the proverbial tricks of the trade to the ukulele, and the book describes them very nicely and understandably. The included CD is a big help, letting you hear what it's supposed to sound like so you know if you're doing it right. It's also been kind of fun learning some songs that I've heard before but never saw the music. The book has been a big help so far, and I look forward to getting more and more adept at the instrument.


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reviews: page 1, 2, 3



Take your uke playing to the next level with this great package that will teach you how to: strum backup chords all over the fretboard, in any key; play chord solos up and down the fretboard; solo in any key using first-position major scales, chord-based licks, and moveable major and blues scales; understand chord progressions; increase your chord vocabulary; and more. Tunes and exercises that illustrate each technique are written in standard notation and tablature and played on the accompanying CD. An absolute beginner can follow the diagrams and instruction from the beginning. Intermediate and advanced players can use the chapters non-sequentially to increase their understanding of the ukulele.


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