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Tosca's Prism: Three Moments in Western Cultural History

Northeastern, 2005 - 256 pages

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A classic tale of love, lust, jealousy, and politics

Collabortively edited by Deborah Burton, Susan Vandiver Nicassio, and Agostino Ziino (all of whom are professors of music history and experts in their fields of academia), Tosca's Prism: Three Moments Of Western Cultural History is an anthology of scholarly essays by learned authors concerning the opera "La Tosca", a classic tale of love, lust, jealousy, and politics which first premiered in 1900 and draws upon the historical events succeeding the fall of the Roman republic. Contributed essays scrutinize La Tosca's impact and legacy with regard to circa 1800, circa 1900, and circa 2000. Extensive notes and music excerpts highlight the thoughtful discussions concerning La Tosca, ranging from "Who Is Tosca?" to "Tosca Act II and the Secret Identity of F#" to "The Protagonists and the Principal Phases of the Roman Republic of 1798 to 1799". This is an invaluable contribution to opera history, and most especially recommended for performing arts libraries, performers, and individual connoisseurs seeking to better understand La Tosca.



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Giacomo Puccini's Tosca, which premiered in Rome in 1900, is one of the most popular operas in the repertory. Based on Victorien Sardou's play La Tosca, the enduring tale of love, lust, jealousy, and politics takes place in the specific setting and time of the Eternal City in June 1800, and draws on the historical events following the fall of the Roman republic. This extraordinary collection provides multidimensional images of each period from a wide range of perspectives.



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