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Zachary Scott: Hollywood's Sophisticated CAD (Hollywood Legends Series)
Ronald L.

University Press of Mississippi, 2006 - 238 pages

average customer review:based on 5 reviews
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   highly recommended  highly recommended





Must have if you are a fan of the 40's!

This is a very informative book if you like Zachary Scott. Very detailed about his life growing up and his desire to be a stage actor and movie star. His family life growing up, his closeness to his mother, his marriages, and the making of movies is very interesting. If you love Mr. Scott, as I do, and have seen his movies, this is a must have!


A Forgotten Leading Man

I have always been curious about what happened to Zachary Scott - he just seemed to disappear after several years as a leading man. This biography was very informative about his life, albeit, a little slow in the childhood and beginnings but it picked up nicely. It was interesting to know that he came from a very prominent and wealthy family in Texas. His personal life was chronicled in a thorough way and I felt the book was very much worth reading. I bought it and put in my library of Hollywood memorabilia and history.


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Half the story is better than none...I suppose.

Zachary Scott was not famous enough an actor to warrant more than one biography. Davis had complete access to Scott's family and friends and to archival material never before tapped. He supplies much factual information previously unknown to the general public. But Davis refuses to face head on Scott's alcoholism and homosexuality. He pussyfoots around these issues oh so gingerly, so genteelly that the reader can only guess how these aspects of Scott's personal life contributed to his one-dimensionality as an actor. Davis blames studio bosses for stereotyping Scott in his film roles, but surely Scott himself was at least partially to blame. Scott's failure to deal with his personal demons no doubt contributed to the limitations in his performances. Sadly, Davis allows Scott to continue in this charade. The result is a biography with little psychological depth. And because Scott is a minor figure in film history, it's not likely that a more probing biography will ever see print. This same problem mars Davis's earlier biography of Van Johnson. However, Johnson is still alive and may yet write an autobiography. Unfortunately, in Scott's case--the books are closed.


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Great Scott

Ronald Davis wrote a previous book about Van Johnson, the still living star of the boy next door type whose sexuality was much whispered about in the 1940s. But, as Davis says of himself, as an author he's no scandalmonger, so much of what makes Van Johnson interesting was absent from Davis' biography, and I imagine Zachary Scott was more interesting than the dapper cipher presented here.

Obviously something went wrong at every stage of Scott's life, though his parents never let him down and supported him financially through his last days. He failed to become a topflight Hollywood star, even though he went West at a time when, as Van Johnson discovered too, the war, the draft and simple patriotism had emptied the movie capital of nearly all male competition, and the studios were in dire need of leading men. (Davis theorizes that Zach's dad, a well connected Texas doctor, may have pulled some strings and had his son released from the ordinary citizen's responsibilities). Scott's first marriage collapsed when his life left him for John Steinbeck, and his second marriage was an extraordinary pileup of Gothic egos. Add two "daughters" to the pack (one who Davis interviewed and who winds up coming off as sincere and stable, the other who eluded him who gets the demon treatment), a drinking problem shared by nearly everyone else in the book, and a suspect earring borne steadily in his ear as a defiant badge of "pirate" sexuality, and you've got a recipe for disaster. Yet he did make A MASK FOR DIMITRIOS, MILDRED PIERCE, RUTHLESS, THE YOUNG ONE, THE SOUTHERNER, and (on stage) he played Gavin Stevens in Faulkner's REQUIEM FOR A NUN in London and New York, so who knows, there are grounds for a fullscale Zachary Scott revival. I don't know if Ronald Davis really likes him though.

Physically, the book itself is printed on ultra creamy paper (though I kept hoping for a photo of Scott's sister and or children, in fact there weren't enough photos in general or what there were aren't well chosen.) If I had to die and come back as a book I hope it would be one as sturdy, elegant and pleasing as one of these "Hollywood Legends Series" from the University Press of Mississippi.


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A Very Suave, Sophisticated Movie Star

Zachary Scott, what more can I say! A beautiful man, a great actor and one of the five top "film noir" actors in my opinion. Unfortunately, he was "tagged" as a villain in most of his films. He has a most interesting background coming from a very well to-do family, but fortunately for his fans he chose to become a movie star. A very good book if you want to get to know Zachary Scott, and I did!



Throughout the 1940s, Zachary Scott (1914-1965) was the model for sophisticated, debonair villains in American film. His best-known roles include a mysterious criminal in The Mask of Dimitrios and the indolent husband in Mildred Pierce. He garnered further acclaim for his portrayal of villains in Her Kind of Man, Danger Signal, and South of St. Louis. Although he earned critical praise for his performance as a heroic tenant farmer in Jean Renoir's The Southerner, Scott never quite escaped typecasting.

In Zachary Scott: Hollywood's Sophisticated Cad, Ronald L. Davis writes an appealing biography of the film star. Scott grew up in privileged circumstances?his father was a distinguished physician; his grandfather was a pioneer cattle baron?and was expected to follow his father into medical practice. Instead, Scott began to pursue a career in theater while studying at the University of Texas and subsequently worked his way on a ship to England to pursue acting. Upon his return to America, he began to look for work in New York.

Excelling on stage and screen throughout the 1940s, Scott seemed destined for stardom. By the end of 1950, however, he had suffered through a turbulent divorce. A rafting accident left him badly shaken and clinically depressed. His frustration over his roles mounted, and he began to drink heavily. He remarried and spent the rest of his career concentrating on stage and television work. Although Scott continued to perform occasionally in films, he never reclaimed the level of stardom that he had in the mid-1940s.

To reconstruct Scott's life, Davis uses interviews with Scott and colleagues and reviews, articles, and archival correspondence from the Scott papers at the University of Texas and from the Warner Brothers Archives. The result is a portrait of a talented actor who was rarely allowed to show his versatility on the screen.

Ronald L. Davis is professor emeritus of history at Southern Methodist University. He is the author of several books on Hollywood, including Hollywood Beauty: Linda Darnell and the American Dream, The Glamour Factory: Inside Hollywood's Big Studio System, and Van Johnson: MGM's Golden Boy (University Press of Mississippi).


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