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We Need to Talk About Kevin: A Novel
Lionel Shriver

Counterpoint, 2003 - 416 pages

average customer review:based on 202 reviews
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   highly recommended  highly recommended





It turned out to be a great book.

I read the reviews for this book after I finished reading it. When the people say it doesn't get that interesting until after the first 50 or so pages, I completely agree. I almost put it down but I try not to give up on a book I pay more than a dollar for :P

I'm one of those people that has a short attention span and prefers conversations between people over long descriptions of everything in a book. I was a little worried because this is one of those books where there are a lot of descriptions because they are letters written to her husband. Once I got past the first 50-75 pages, I couldn't put it down. There are plenty of great reviews written about this book that go into detail what the book is about. I just wanted to say that the end was surprisingly shocking and unpredictable (to me anyway) and after I finished the book I kind of just sat there and thought about it. Usually when I put down a book, I can easily find something else to do, or pick up another book and start a new story, but I let this one sink in. It makes you think. Personally, it shocked me.

I do believe it is one you can reread. You will more than likely catch missed details after you've read it through. I do disagree with the people that described this book as horror or thriller. To me, it was a story about a hard life for all involved. Very interesting book. Give it a chance.


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Disturbing, engrossing, so horrible you can't put it down

Although it is quite clear that the author detests her characters; each one faulted with few redeeming qualities. Yet, this book is gripping & unforgettable. The discussions that arise from the storyline will keep you talking for days. The author is a bit long-winded and self-indulgent but she does write brilliantly and eloquently. The characters are sometimes quite contradictory to themselves and often unbelievable but it still made for a chilling read.









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a horror novel, with no horror

this book plays out like a horror novel, with the same slow build and gradual revelation of increasing atrocity - yet at the same time it feels utterly plausible.

the narrator's voice is lucid and engaging, and the book ends on a note of truly moving revelation.

second-person narration is really hard to do right, and this may be the best example of it that i've seen.


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Grips you. Turns your stomach. Makes you think about what's important in life.

Whew, I haven't quite finished this book and I'm writing the review because I've been discussing it with some friends. Mostly we agree, but I strongly disagree with one usually insightful friend who maintains that the author, Shriver, hates, yes HATES her characters!

This book isn't about hating your characters. It's about a boy who hates himself, was born hating himself, and his mother's effort to cope with that and her own self-knowledge and ultimate responsibility for her actions. Exactly what and how much is she responsible for in the monster she gave birth to and what part in all this does her husband take?

As I said, I'm not yet done with the book and I've come off a previous read that is much, much lighter fare, so this is difficult for me. I've stopped reading it at night, it's so intense.

If you want to try for many laughs, I've recommended a totally different subject--internet dating--in another review. Middle-Age Confidential: My Life as a Date (This Could be a True Story),

If you can take the heavy novel--this is my first Shriver read--I say try this one.


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reviews: page 1, 2, 3, 4, 5, 6, 7, 8, 9, 10



A stunning examination of how tragedy affects a town, a marriage, and a family, for readers of Rosellen Brown's Before and After and Jane Hamilton's A Map of the World.

That neither nature nor nurture bears exclusive responsibility for a child's character is self-evident. But such generalizations provide cold comfort when it's your own son who's just opened fire on his fellow students and whose class photograph--with its unseemly grin--is blown up on the national news.

The question of who's to blame for teenage atrocity tortures our narrator, Eva Khatchadourian. Two years ago, her son, Kevin, murdered seven of his fellow high-school students, a cafeteria worker, and a popular algebra teacher. Because he was only fifteen at the time of the killings, he received a lenient sentence and is now in a prison for young offenders in upstate New York.

Telling the story of Kevin's upbringing, Eva addresses herself to her estranged husband through a series of letters. Fearing that her own shortcomings may have shaped what her son has become, she confesses to a deep, long-standing ambivalence about both motherhood in general and Kevin in particular. How much is her fault?

We Need to Talk About Kevin offers no pat explanations for why so many white, well-to-do adolescents--whether in Pearl, Paducah, Springfield, or Littleton--have gone nihilistically off the rails while growing up in suburban comfort. Instead, Lionel Shriver tells a compelling, absorbing, and resonant story while framing these horrifying tableaux of teenage carnage as metaphors for the larger tragedy--the tragedy of a country where everything works, nobody starves, and anything can be bought but a sense of purpose.


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