Fractured Fairy Tale and/or Horror Story on Capitalism

books:


	• Sister Carrie (Barnes & Noble Classics) Theodore Dreiser Barnes & Noble Classics, 2005 - 496 pages average customer review:based on 106 reviews view larger image
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highly recommended

Fractured Fairy Tale and/or Horror Story on Capitalism

"Increase of material comforts, it may be generally laid down, does not in any way whatsoever conduce to moral growth." Mahatma Gandhi

"She (Carrie Meeber) wanted pleasure, she wanted position, and yet she was confused as to what these things might be." p. 145 "Sister Carrie"

Critics may scoff at the immorality of the main characters, the persistently subtle, yet always stinging slams at the evils of Capitalism, or how depressing the novel is. But despite it all, my interest never waned from the first page to the last. Yes, Dreiser's super-duper liberal (although liberal back in 1900 is a tad different than what we consider liberal today), but this man could sure write beautifully! At times, he's almost a poet, as I found myself reading some sentences and paragraphs two to three times over for their sublime brilliance.

Dreiser's prose is both honest and brave. He develops his characters beautifully, at a slow, methodic pace, carefully unraveling the mysterious air of each of the three main characters until the very last pages. Yes, he's iconoclastic. Yes, he gets a bit too preachy toward the end of the novel. Yes, he's a bit dark and discouraging. Yes he's a bit too liberal for many folks. And yes, his bitter, but many times brilliant observations are a tad too cluttered with sarcasm and irony. Yet for me, I just couldn't put this one down, nor forget about it when I finally did.

Carrie, Carrie, Carrie ... it is so easy for all of us to sit back and judge you. You slept your way to the top in many people's eyes. You sold your soul to become successful in our material world. Yet most people who have become successful in our society have led far worse lives than Dreiser's "Sister Carrie" and many of them are lionized. We have to ask ourselves, is it our jealous, judgmental nature that makes many of us go tisk-tisk about the lack of this gal's morals? My glass house is waaaay too thin to do this. Yet, I do not advocate in any way, shape or form using others to get what you want in life. The pursuit of materialism should never mean the sacrifice of one's ethics, morals and values. However, I do believe that Carrie was coming to this realization toward the end of the novel. In order to not disclose too much to those who haven't read this yet, I will say no more.

As I stated above, this classic definitely isn't without its imperfections. If you are a staunch conservative, there's a good chance this writer will irk you a bit. I also thought Dreiser was a bit too harsh in regards to the fate of the book's male protagonist, perhaps punishing him for being the quintessential all-American, conservative Capitalist that he represented early on. He also is a writer who tends to be idealistic to a fault, getting way too preachy and sanctimonious for most of us mere, marred mortals to handle at times.

Overall though, I really, really dug this classic novel. This is the first time I have read Dreiser, and I greatly admire his compelling, penetrative style. The story is well written, no real action, very little plot, mostly a character study of some very realistic people whom we all have known in life. The beauty of this simplistic story is the way it plays on just about every emotion imaginable, which made it for me, never a dull moment.

I loved it. 5 Stars!

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Getting Your Mrs. Degree Without Going to College

"Sister Carrie" is a novel that I happened upon accidently. I ordered it when I thought I was ordering another and it was delivered to my door. Since it was recommended for a creative writing class, I figured I might as well read it since I love a long, epic novel. Little did I know what I was getting into.
Carrie reads abruptly Brittish at first, with all the proper nouns and pronouns making it seem, straight away, like a snobbish and bourgoise book. Once I got past the first few pages, however, I was at once intrigued and secretly invited to hear, not read, the tale of an original fem fatale.
As I read, I could actually hear the dialog and ambience of the era, horse-drawn carriages, the buzz of a cafes, restaurants and lodges. And, of course, the rather brutish brother-in-law whom Carrie encounters as an adversary when she moves to Chicago in the late 1800's.
The novel was the first for author, Theodore Dreiser, who later went on the write, "An American Tragedy", in 1925 a novel that brought universal acclaim.
"Carrie" reads with the striking atmosphere of a completely different set of rules and behavior standards and though, the language is a little outdated, it still tells the story of a young woman's plight of constant rejection during a time of very strict ideals set on single and married women. Her's is a fairy tale of seeming immediate acceptance with dreadful undertones of ownership and emotional abuse.
I'm incredibly challenged with the style and verbose writing of Mr. Dreiser and confident that a movie is sure to be in the works. A great read!

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A mostly interesting story

"Sister Carrie", to begin with, is written in a most curious fashion. Theodore Dreiser, an author I'd never heard of before, writes in a very interesting and distinct style. Some would probably feel frustrated with it, as well as his rather blunt way of writing, but it's rather different and certainly good.

A story of a girl's slow and steady rise, "Sister Carrie" will capture readers first with its intrigue. Obviously, the idea of young Carrie whisked away to the city and within moments as a wealthier man's "wife", will have raised a few eyebrows. The way her life progresses is interesting too, from extremely low, to good, to almost better off, to bad, to better, and then finally to excellent. Her personality, though relatively static, is curious to follow as well. At first, as a meek, shy, pretty girl, she gives off the very image of chastity. At the end, she is a strong, independent woman. The change is slow, and yet Carrie does not ultimately change all that much.

Above all, though, it's a great read. It's written in such a way that's easy to read, and though there are the usual dry spots of an early 20th century novel, it reads well. Characters are impressive in their realistic qualities - their weaknesses, their faults, their virtues and their beliefs. The story progresses smoothly and will keep the reader hooked.

A great read, cool writing, and a curious story. All in all, a pretty awesome book. I wish I'd found it sooner. Recommended!

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User Carrie

This is about life for a single woman at the turn of the century, when a good marriage or poverty were the only two choices a woman had, along with needlepoint. Yes, times were difficult for a single woman who had to go it alone; I will give that point. However, I don't see that as excuse to throw morality out the door, to use and be used by other people, and be constantly on the prowl for somebody better or more, prettier "things". I had a dislike of Carrie from early on. Dreiser repeatedly tries to portray her as a little country innocent when she was, in fact, a shallow, dull, weak-minded but evidently physically attractive woman. She uses her sister then dumps her; she uses her first "live in" boyfriend, then dumps him for a married man; she uses the married man but is on the lookout for another. She is always looking for happiness by latching on to someone else's money and finery. Wouldn't you know it, she manages to become a self-supporting actress after using everybody along the way. Oh, but she is innocent and naive the whole time--yeah right. Dreiser uses Carrie as a vehicle to attempt to show capitalism as being vulgar, selfish, and self-destructing. If Carrie were typical, he would have a point.

The book is a little over-the-top, in my opinion. Carrie is just too pretty, too "innocent"; the men are incredibly stupid to be lead around by the nose by this creature. The married man's collapse and ruin over his failure with Carrie is over done. The characters are all dislikable and hard to identify with. The book left a sour tast in my mouth.

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Material Girl...100 years ago.

Written at a time when women still lacked the right to vote, Sister Carrie offers an uncommon (and not initially accepted) commentary on women and independence. It also addresses that timeless theme of how the city changes the individual. Dreiser's turn of the century novel chronicles the young adult life of Carrie Meeber, who leaves her small town home for a more exciting life of Chicago. Taking residence at her sister Minnie's meager apartment, Carrie is immediately plunged into a pit of lower class struggles; to pull her weight she takes a job as a factory girl in a shoe shop for wages that can barely afford her basic necessities let alone the simple pleasures of Chicago life. Not quite used to the rigorous demands of intense manual labor, she yearns for something greater. By chance, she bumps into a wealthy, flirtatious gentleman - Drouet - whom she had previously met on her train ride into Chicago. His initial courting is unsuccessful but he eventually takes Carrie on as a kept mistress. Their relationship is at best superficial. He offers material things and compliments to her beauty.

Without spoiling the rest of the story, Carrie's raw and innocent drive for success takes her on a series of relationships and adventures first in Chicago and later in New York. As a historical piece, Dreiser provides vivid descriptions of these two cities right down to the street level. He treats the city as a state of mind, with narrative insights weaved between powerful stretches of dialogue.

100 years later, present-day readers might see Carrie as a heroine, despite her unabashed materialism. This was the very reason for its lack of marketing support; the historical fact is that the wife of Doubleday's CEO was upset by Carrie's bachelorette success going "unpunished" by the author.

As was mentioned above, the "city" has transformed her into a woman who is set in her ambitions. Dreiser's style allows us to see things from the point of view of many characters and not just Carrie's. There are snippets of moralizing here and there which give the reader a sense that Dreiser was in some ways a prophet - he foresaw the unbridled potential of American individuality, its drawbacks, and how it is generally actualized in the American city. And for the time period, this was a paradox for women. But Carrie shamelessly lives her life they way she wants to. Classism and sexism aside, Carrie Meeber carries on the American dream.

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reviews: page 1, 2, 3, 4, 5, 6, 7, 8, 9, 10

Sister Carrie, by Theodore Dreiser, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences?biographical, historical, and literary?to enrich each reader's understanding of these enduring works.

When small-town Carrie Meeber arrives in 1890s Chicago, she cannot know what awaits. Callow, beautiful, and alone, she experiences the bitterness of temptation and hardship even as she sets her sights on a better life. Drawn by the seductive desire to rise above her social class, Carrie aspires to the top of the acting profession in New York, while the man who has become obsessed with her gambles everything for her sake and draws near the brink of destruction.

Dreiser?s first novel, Sister Carrie (1900) was inspired by the life of one of his sisters, who had eloped to New York with a disreputable lover. Its sympathetic depiction of Carrie?s love affairs shocked its publisher, whose grudging efforts won few initial readers until the book?s successful re-publication in 1907. Today it resonates with Dreiser?s clear-sighted understanding of life in the increasingly mercantile world of the big city, and with his belief in the domination of fate over free will. Particularly in the unflinching tragedy of its final chapters, the novel broke new ground in American fiction for its gritty realism and for the character of Carrie, who begins ?a half-equipped little knight? and becomes a truly modern woman.

Herbert Leibowitz is the editor and publisher of Parnassus: Poetry in Review. His books include Fabricating Lives: Explorations in American Autobiography and Hart Crane: An Introduction to the Poetry. He is currently writing a critical biography of William Carlos Williams.

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