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Kiss Me, Judas
Will Christopher Baer

MacAdam/Cage, 2006 - 330 pages

average customer review:based on 44 reviews
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   highly recommended  highly recommended





An urban legend brought into novel form

Remember the urban legend about waking up in a bathtub filled with ice and the note that tells you to call 911 right away? Well, Will Christopher Baer has written a novel length story about such an urban legend.

Phineas Poe, an ex-cop teetering on the edge of sanity, meets a prostitute in a bar. The next thing he knows, he's shy $200.00 and one kidney. The girl said her name was Jude, and Poe can't get Jude out of his mind. He wants to kill her, he wants to be with her, he wants to find her. And he wants to find his kidney.

When Phineas meets up with Jude, following a note she left for him, he finds her in possession of a green cooler with a lock on it. He boards a train with Jude, takes off in a plane with Jude, checks into a hotel with Jude, all while fending off strangers such as Blister, a man who presented himself as a cop but is relentlessly following Poe. A woman names Isabel who reminds Poe of his deceased wife Lucy. And a chameleon named Henry who keeps popping up in his life. Who is Blister and what's really in that cooler? Why has Henry and Isabel taken such an interest in him? And why is Jude so dedicated to keeping him alive with his deadly wound from the kidney surgery?

You'll have to read this story to believe it. It's written in a surrealistic style, using no punctuation for dialogue. It's written like a rambling fugue from Poe's point of view. What worked for Selby doesn't always work here. At times the prose became so vague that even I couldn't follow it. Poe's thoughts travel from past to present to dreamworld in random segments, and you're often left wondering where the story is going. Still, in spite of the surrealistic, dreamlike style, the book still flows in a nice smooth line. My other major complaint would be an unfulfilling ending, but I hear that Poe continues in another book. There were a lot of questions left unanswered at the end of the book.

Overall, I give this book a solid 4 stars, especially if you're into the strange and bizarre styles - and a viable tale spun from an urban legend. Enjoy!



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re: typos

For everyone wondering about the typos. This is a reprint from the original Viking release and as a consequence MacAdam/Cage had to retype the books in full. After that, someone was paid to read the book and thoroughly check/fix typos.

This man didn't do his job and the book suffered. Don't blame the Author or dock the book because of this mistake. That's all about that.

It is a very good trilogy!

Keep an eye out for GODSPEED, and the Phineas Poe comic - out soon!









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Very good...

Aside from the lest than climactic ending, I found this to be an enjoyable read.


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Worth reading; dark, broody ,,,poignant

I think anyone else's review will be fine here. I just wanted to point out that I own the set of three matching covers (black, green, white) and enjoyed the book just fine, but was appalled to see "Kiss me, Judas" had in the upwards of 45 typos. The most shocking part was that this is republished and not even the original edition, which would've been acceptable. But you'd thnk they'd have worked out 45 typos (I quit counting) by the time a trilogy is reprinted as a set. Either way give it a read; it doesn't hinder the story.


reviews: page 1, 2, 3, 4, 5, 6, 7, 8, 9



Have you ever loved someone who?s mortally wounded you? Phineas Poe, disgraced cop and morphine addict, has just been released from a psych ward when he meets a beautiful woman named Jude in a hotel bar. Red dress, black hair, body like a knife. He takes her back to his room and wakes the next morning in a bathtub full of blood and ice, missing a kidney.

Dragging himself from a hospital bed, Phineas discovers he wants to be with Jude like a hunger ? and he wants to find her and kill her. Falling for her is the start of a twisted love story that takes him from the snowy streets of Denver to the high plains of Texas where the boundaries between torturer and victim, killer and accomplice, become nightmarishly distorted.


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