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Adolf Cluss, Architect: From Germany To America (Ghi Studies in German History)

Berghahn Books, 2005 - 184 pages

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Adolf Cluss - a Remarkable Architect; a Remarkable Man

Adolf Cluss, Architect; From Germany to America.

Even as a coffee-table book, Adolf Cluss - Architect will hold its own, given its graphic layout, excellent illustrations, and readable format. But it is far more than that. For a student of the history of Washington DC, one interested in German-American life, or one with an interest in the public architecture of the 19th century, a reader will find this book hard to put down.

Adolf Cluss admittedly is not a well known name outside of architectural circles and therefore it may surprise the reader to learn that a German immigrant conceived of and directed the construction of the great and splendid Arts and Industries Building of the Smithsonian Institution as well as other public buildings and elegant private mansions in Washington, many of which have escaped the wrecker's ball and are still standing. He put his mark on the skyline of Washington during the latter part of the 19th Century. He was a master of decorative ornate brickwork and soaring spires and seemed to abhor the solid, unbroken plane of any vertical surface. Much of his inspiration seemed to have come from the buildings in his hometown of Heilbronn, Wuerttemberg in Southwestern Germany where he was born in 1825.

He came from a long line of master builders and craftsmen, the son of a prominent builder in their city, and though not wealthy, Cluss's father believed in practical education for his sons. Young Adolf was a tall, handsome and intelligent young man, and perceptive to not only the physical world around him but of ideas and social conditions. On the cusp of the massive industrial revolution that would reshape Germany, he and other young intellectuals became involved with the problems facing the masses of old-line workers - saddle and harness makers, barge operators, etc, who faced lean times as their jobs were replaced by machines.

He joined in with other young men of like radical mind and became involved in the progressive political thinking of the day. They staged rallies which by and large were ignored by the workmen but attracted the attention of ultra-radical thinkers such as Karl Marx. Father Cluss apparently thought it prudent to hie young Adolf off to the New World to afford him a change of scenery but most certainly to keep him out of trouble. He escaped just in time for within months the abortive revolution of 1848 had broken out and many of his contemporaries were imprisoned or had to escape Germany under considerably less favorable circumstances.

Marx apparently saw young Cluss as the most likely of likely recruits to his cause and began a series of correspondence which continued long after he was becoming established in Washington as an up-and-coming architect and designer. Marx perhaps would have been disappointed with Cluss in later years as a leader of world revolution as he became thoroughly enmeshed with the life and times of the "ruling" classes in Washington, acquiring both fame and wealth as a result of his work.

The book provides not only a detailed biographic portrait of his life but displays excellent photographs of his work as well as detailed architectural drawings, street maps and many peripheral photographs of the Washington DC of his day. The cover alone is striking - a portrait of the Smithsonian Arts and Industries Building done in a way that captures minute detail that only old-time large format plate film could do.


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Enigmatic Adolf Cluss

The only person to be personal friends with both Ulysses S. Grant and Karl Marx, the enigmatic architect Adolph Cluss lived in two worlds: the Germany of his youth, which he left after the failure of the 1848 revolutions, and the young American republic, where he came to organize workers and stayed to rebuild its capital city. Scholarly yet accessible, this eloquently illustrated volume illuminates the varied facets of Cluss's previously forgotten career. It puts this remarkable architect back on the historical screen.



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