books:
•
The Sketchbook: 80 Unique Designs by the World's Finest Tattoo Artists
Nancy Heimburger
,
Marco Bratt
Hotei Publishing
, 2003 - 184 pages
average customer review:
based on 5 reviews
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graphic gems from tattoo artists: a pathbreaking book
Rarely has the
tattoo
art form enjoyed a presentation in a volume as remarkable as Heimburger and Bratt's "The
Sketchbook
: 80
Unique
Designs
by the
World's
Finest
Tattoo
Artists
." For starters, the "Sketchbook" does not feature photographs of tattooed bodies but rather brings together a set of original graphic designs produced by artists expressly for this collection. Then there is the beauty and quality of the book itself, which has been published by Hotei, the Leiden-based publisher best known for its first-class books on Japanese prints.
Most of the artists represented in the "Sketchbook" are fairly young and, with the exception of several members of the Leu Family of Lausanne, are not yet well-known. Their work is complex, however, and the short autobiographies provided by each artist provide insights into the special world and close relationships of the international community's best tattoo practitioners. Traditional Japanese tattoo themes dominate the graphic work, but fans of modern art in general will note and enjoy the resemblance of much of the work to that of the 20th-century surrealists and even to the specialized art genre known as exquisite corpses. Indeed, the artwork presented is so fascinating and potentially rich in symbolism that I wish it had been displayed at The Drawing Center in New York's Soho district and introduced by scholars of modern graphic art.
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A very different kind of artbook
The
Sketchbook
is a large coffee-table compendium showcasing eighty
unique
designs
by some of the
world's
finest
body art
tattoo experts
. An introductory essay explores the history of body tattoos, and both Japanese and Western views of the art practice. The eighty designs themselves are showcased largely in black-and-white, in their original drawn concept form rather than a photograph of the tattoo on human skin. With a photograph of its artist along with a paragraph by the artist about his or her background and philosophy. A very different kind of artbook, in which East truly meets West.
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Not as Expected, very disappointed!
Sadly I purchased this volume based upon other reader reviews. Although I have given it 3 stars- as the book production itself was very nice- oversize square small coffee table book, printed on high quality thick stock, with well printed art work- makes this volume attractive on the outside. The contents and
sketchbook
is rather a let down. 60% of the sketches are very crude and unattractive (even considering them just sketches from a sketchbook) and the remaining art being just okay, maybe there is 10-12 eye opening pieces. If your looking for inspiration or eye candy this is not your book
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The artistic versatility of
tattoo
artists
has frequently been overshadowed by the negativity that surrounds tattooing in general. Many tattoos are made by would-be artists who copy overused
designs
. A perfectly tattooed body requires the skills of a professional and talented artist, who creates a
unique
and personal design. These designs are often inspired by one or more of the various tattoo styles of Japanese, Maori or other tribal origin. The
Sketchbook offers
the reader a selection of 80 of these unique designs by well-known and less famous, but very promising, tattoo artists from around the
world
. Each artist was requested to create a sketch unrestrained by commercial demands and which reflects their own personal motivations.
The book is divided into two sections: the first comprises an explanation of how this collection was brought together, along with a brief illustrated overview of the history and various styles of tattooing. The second section is devoted to the artists, each sketch being accompanied by a biography and favourite quote.
The concept of this book was developed by Marco Bratt, a tattoo artist from The Netherlands, and his partner, Germanborn lifestyle photographer Nancy Heimburger, who also wrote the introductory chapter.
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