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Helmet for My Pillow

Bantam Books, 1992

average customer review:based on 3 reviews
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Sacrifice

In HELMET FOR MY PILLOW, Leckie breaks down the contributions of American fighting men into one word; Sacrifice. He writes of the battlefield as being an altar upon which men are immolated, ostensibly for the greater good (and to ask repentance of God for the sins of their country, in this context, the atomic bomb). Men go to war `not to kill, but to be killed - to risk their flesh, to put their precious persons in the path of destruction.' And `there are no glorious living, only glorious dead.'

Leckie takes the ugliness of combat and poeticizes it without glorifying it. He does not spare us the details of the hardship of the fighting Marine, but neither does he wallow in gore and blood. Under his pen, war becomes almost a religious ritual, from the first page with its literal indoctrination into the Faith, until its final heartfelt pages, which seem almost like a confirmation.

The writing as mentioned is quite lyrical and never crass, even when relating the occasionally base antics of the men. A description of inflated condoms being set adrift in a harbor during leave in Australia is akin to poetry. The men are described only by their names (the Soldier, the Kid, Chicken, White-Man) and this is sufficient to keep them solidified in our mind's eye throughout the narrative. Characters appear and disappear and reappear again, yet the reader is never jarred or has to flip back to recall them.

We are taken through not only the direct confrontations against the Japanese, but also the everyday petty (and sometimes very funny) squabbles and dramas usually involving castes (officers and enlisted men, civilians and soldiers - particularly in the chapter `Brig-Rat'). This serves to give us an even greater appreciation of the tribulations of the common troops.

But HELMET... is more than a chronicle of the Marines of Guadalcanal and the Pacific War told from the point of view of the regular combat soldier - it is an encompassing, unapologetic testimony, and an affirmation. Leckie is proud of his service and with good reason. Very moving and important book. Recommended to anyone trying to understand the mindset of the American soldier.


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Helmet for my Pillow

An excellent narrative by one who experienced all the events described in the book. Robert Leckie, "Lucky", was a private in the US 1st Marine Division and he takes us from enlistment shortly after Pearl Harbor to Parris Island, to New River, and thence to the Tenaru on Guadalcanal. Leckie's writing style is sophisticated and surprising at times. Occasionally he waxes lyrical on a pet subject which detracts from his book, but then he quickly reverts to the main narrative. All characters are identified by nicknames which helps paint a picture of the individual. Leckie writes of marines usually of less than sergeant rank as this was the company he kept. There are no strategic issues and few tactical concerns as the enlisted men were primarily occupied with staying alive. There is a lengthy description of the marine invasion of Melbourne which I found interesting, although three minor errors grated (Port Phillip Bay not Melbourne Bay, HMAS not HMS for Australian ships, and the You Yangs are on the opposite side of Melbourne from Dandenong) and the lack of mention of the "services" provided by our taxi drivers was surprising. But all idyls come to an end and for the 1st Marine Division the war continued on Goodenough Island, then New Britain, and for many ended on Peleliu. Until Peleliu the Japanese were only one of many enemies which included the officers, supply personnel, and the jungle and the weather. This is a top book, well worth reading.


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A different kind of war story

Lecke's lyrical style is often at odds with the subject - survival in battle - but it is because of this that his story stands out as an exceptional narrative of his experiences as a Marine in WWII. The efficient technique of using descriptive names (Runner, Commando, etc) for his real life comrades goes along way towards providing a picture of each character that the reader retains throughout the book. It also allows the author to be judgmental without the need to justify and explain his feelings.



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