Beneath the objective criticism often lies a subjective grandeur

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	• Josquin Desprez: Motets & Chansons Josquin Desprez, Paul Hillier, ... EMI Classics, 1997 average customer review:based on 15 reviews view larger image
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highly recommended

The Orlando Consort sings Desprez much better...

This unexpensive and rather short cd offers a selection of Desprez's works, both sacred and profane in a 50/50 ratio.

While some people may find the contrast between the (extremely)slow, stately religious pieces and the quick, playful songs in French and Italian stimulating, I found it slightly disturbing. I definitely would have preferred a selection of pieces with a greater unity of mood and style.

While the performance is certainly first-rate, the recording seems to me to be below average: when you turn up the volume, an annoying hum is heard in the background. Is this problem due to the inferior quality of my hi-fi? It might be, but the fact is that this maddening defect has appeared only on very few of my cds (it is also very evident on recordings of the King's College Choir).

I recommend in addition to this cd Ockeghem's Mass "De plus en plus" by the Orlando Consort. Ockeghem's Great Lament for the death of Jean Binchois is in my opinion much more beautiful and moving than Desprez's own lament for Ockeghem on this cd.

I also warmly recommend "Desprez: Motets", also by the Orlando Consort, an imported October 2000 Deutsche Grammophon CD, for me one of the best, if not the best Renaissance sacred music recording. IMHO, The Orlando Consort sings and interprets Desprez infinitely better than the Hilliard Ensemble and even beats the Tallis Scholars.

The total duration of this recording is 50 minutes.

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Splendid

Other reviewers have pretty much said it all-- all I can add is-- if you don't like James's voice, then don't listen to Hilliard. David James is to the Hilliard Ensemble what The Edge is to U2. ;)

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Beautiful music.

I just wish there was more recorded Desprez out there. Enjoy this lovely CD.

A good reference disc

These performance are crystal claer, but seem to lack emotional investment.

Beneath the objective criticism often lies a subjective grandeur

3 1/2

Sacred choral works sung with the subtle graces of stained glass refracting light; still at times synonymous sentiment in tonality looses value in between a few more upbeat numbers. While focusing to the vibration of what was undoubtedly a symbolic pillar of faith many centuries ago, one benefits from a detached awareness from composition in favor of utter immersion into the sublime transitions throughout these hallowed vocals. Although hardly a definitive collection, this disc serves as a good introduction (& painful reminder) to the ancient, purist reception this stilling music once knew.

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reviews: page 1, 2, 3

The Hilliard Ensemble bathes these vital vocal works by Josquin in a Mediterranean light: clear, warm, and brilliant. Josquin was a northerner who, like so many other composers of the Renaissance, descended to Italy to pursue his career. The singers bring to life the composer's marriage of the Flemish preoccupation with technique and the southern instinct toward lyricism. This is an extraordinary disc. --Joshua Cody

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