Essential -- the roots of modern short horror fiction

books:


	• Great tales of terror and the supernatural Herbert Alvin Wise Modern Library, 1972 - 1080 pages average customer review:based on 22 reviews
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highly recommended

Excellent Introduction to Supernatural Stories

Nearly fifty years ago, in the mid-sized Midwestern town where I spent many of my formative years, with some windfall paper route money, I purchased the Modern Library edition of "Great Tales of Terror and the Supernatural" (published by Random House, edited by Herbert A Wise and Phyllis Fraser). That particular edition was eventually worn out from extensive reading and re-reading and had long since disappeared from my possession; but several months ago, at a Montgomery County Public Library sale in Troy, North Carolina, thanks the alertness of my sharp-eyed wife, I purchased, for a mere pittance, the *original* edition of this book, published in 1944; it was like encountering a long-lost friend! The dedication page consists of an Old Scotch Invocation: "FROM GHOULIES AND GHOSTIES AND LONG-LEGGED BEASTIES AND THINGS THAT GO BUMP IN THE NIGHT, GOOD LORD DELIVER US!". Of interest also is that on the publication page the following appears: "THIS IS A WARTIME BOOK - The Text is complete and unabridged, but every effort has been made to comply with the Government's request to conserve essential materials." It was in my Modern Library edition that, as a teen-ager, I first read classic supernatural stories by Algernon Blackwood (the well-known "Ancient Sorceries" and the lesser-known "Confession" [but not "The Willows" or "The Wendigo"]), F(rancis) Marion Crawford ("The Screaming Skull" [but not "The Upper Berth"]), M(ontague) R(hodes) James ("Casting the Runes" [my favorite of all of his 30 stories] and "Oh Whistle and I'll Come to You My Lad"; both stories, incidentally, illustrate James's adroit and effective handling of understatement), H(oward) P(hilips) Lovecraft ("The Rats in the Walls" and "The Dunwich Horror"), Arthur Machen ("The Great God Pan" [but not "The Inmost Light"]), Oliver Onions ("The Beckoning Fair One"), Edgar Allan Poe (the well-known story "The Black Cat" and the lesser-known but even more disturbing "The Facts in the Case of M. Valdemar"), and Edgar Lukas White (the eerie "Lunkundoo"). Also among the 52 stories in this collection are some powerfully-effective adventure stories: Richard Connell's "The Most Dangerous Game", Geoffrey Household's "Taboo", Carl Stephenson's "Leiningen versus the Ants", and H.G. Wells's "Pollock and the Porroh Man". (Undoubtedly because of the publication date, there is nothing here by Robert Aickman [e.g., "The Inner Room"], Clive Barker [e.g., "In the Hills, The Cities"], Stephen King [e.g., "Dolan's Cadillac" {terror} or "The Mist" {supernatural/preternatural], or Joyce Carol Oates [e.g., "Where Are You Going, Where Have You Been?"]). The editors provide an Introduction, an Introduction to the Notes, and interesting and comprehensive biographical sketches of each of the authors. Over the past few months, I have enjoyed becoming re-acquainted with these stories. Although there now exist more modern collections of these types of stories (e.g. David Hartwell's "The Dark Descent", "The Oxford Book of English Ghost Stories", and "Roald Dahl's Book of Ghost Stories"), this out-of-print book is well worth acquiring, if you should be fortunate enough to happen upon it in an estate collection auction, at a library sale, in a thrift store, or at a used-book seller's.

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A deadly little jewel

If you're looking for a little fear on your pallet, this book will dish it out in buckets. The authors are old world craftsmen who wrote these stories on dark and stormy nights. As you read, the wind will howl, dead children will laugh, and the scurry of rats will make you look around your room. Drink a glass of wine, eat dark chocolate, and curl up to this one in bed. Dead men do write good tales.

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Excellent collection of classic tales

A book to keep by the bedside; tales to enjoy again and again. A haven for those familiar with the genre, and, for the novice, a menu of the fine writers of dark imagination.

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This is a keeper!

This is yet another one of the books that was required for my Arts & Humanities class "The Horror Story"...I must say that I'm quite glad that I was introduced to this novel.

This book houses some of the greatest horror stories since the genre came into existence. I have a new appreciation for Edgar Allen Poe. Algernon Blackwood is an AMAZING writer, quite possibly my new favorite. There is even a story written by O. Henry!

This book could easily be considered a bible among those who are horror-genre fans. I can't say much else about this book other than IN MY OPINION it is worth the money you will spend on it and the time you will spend reading it.

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Essential -- the roots of modern short horror fiction

This book is, quite simply, the best collection of 19th and early-20th century short fiction of the dark variety in existence. First published in the 1940s, this single (albeit fat) volume is a goldmine of the roots of modern horror, a great way to see where today's horror heavyweights got their inspiration and influence.

Some authors whose stories appear within: Bierce, Blackwood, Dickens, Faulkner, Hawthorne, Hemingway, James (both Henry & M.R.), Kipling, Lovecraft, Machen, Poe, Wells, and many more, a good mixture of horror genre regulars and more conventional or 'literary' authors to whom dark fiction was a departure from the norm. If many of those above names are unfamiliar to you and you consider yourself a fan of dark fiction, you owe it to yourself to read this book.

[Sidenote: The book also contains two of my all-time favorite short stories from two slightly lesser-known authors: Richard Connell's "The Most Dangerous Game," and W.W. Jacob's "The Monkey's Paw." As far as I know, this is the only single volume that includes both. The latter story is, in my humble opinion, THE most perfect scary story of all time.]

Once again: Wagner & Wise's collection is the best thing of its kind.

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reviews: page 1, 2, 3, 4, 5

When this longtime Modern Library favorite--filled with fifty-two stories of heart-stopping suspense--was first published in 1944, one of its biggest fans was critic Edmund Wilson, who in The New Yorker applauded what he termed a sudden revival of the appetite for tales of horror. Represented in the anthology are such distinguished spell weavers as Edgar Allen Poe ("The Black Cat"), Wilkie Collins ("A Terribly Strange Bed"), Henry James ("Sir Edmund Orme"), Guy de Maupassant ("Was It a Dream?"), O. Henry ("The Furnished Room"), Rudyard Kipling ("They"), and H.G. Wells ("Pollock and the Porroh Man"). Included as well are such modern masters as Algernon Blackwood ("Ancient Sorceries"), Walter de la Mare ("Out of the Deep"), E.M. Forster ("The Celestial Omnibus"), Isak Dinesen ("The Sailor-Boys Tale"), H.P. Lovecraft ("The Dunwich Horror"), Dorothy L. Sayers ("Suspicion"), and Ernest Hemingway ("The Killers").

"There is not a story in this collection that does not have the breath of life, achieve the full suspension of disbelief that is so particularly important in [this] type of fiction," wrote the Saturday Review. With an introduction and notes by Phyllis Cerf Wagner and Herbert Wise.

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