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The Best American Essays 2000
Robert Atwan, Alan Lightman

Mariner Books, 2000 - 320 pages

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Collection of Essays

It's nice to see what certain editors deem the "best" american essays of a certain year.


Best American Essays 2000 (in 2008)

This is my second volume from the Best American "Essay" series. Out of the 24 essays or so only 6 stood out enough to mark them for later re-reading. I guess after 8 years since its publication some feel dated or not as relevant, but it's also possible to get a broader perspective of what has lasting value.

My six favorites are William Gass' "In Defense of the Book" (Harper's Magazine) which poetically describes the many ways books are superior to digital. This is a common theme among many writers but Gass approaches it in a new and original perspective, and without being Luddite. In Richard McCann's "The Resurrectionist" (Tin House) he describes what it was like to loose a kidney and have a transplant, I was really moved by his heroic fortitude and truth of experience. Peter Singer in "The Singer Solution to World Poverty" (New York Times Magazine) lays bare the ethical delima of rich nations and poor nations on a very personal level. He posits, what would you do if you could save a child from being hit by a train by sacrificing your car in its path (which contains all your worldly goods). Likewise he provocatively suggests individuals from rich countries should be sending excess wealth - beyond basic needs - to those in the poor countries. The essay "Gray Area: Thinking with a Damaged Brain" (Creative Nonfiction) is a fascinating first-person essay by Floyd Skloot who has a serious brain injury. He describes its effects both in an external social sense and inner self. Cheryl Strayed in "Heroin/e" (Doubletake) writes about her mothers death from cancer and her own subsequent degeneration into a serious heroin addiction. A dark, sad and aesthetically beautiful piece. Andrew Sullivan in "What's So Bad About Hate?" (The New York Times Magazine) discourses on what exactly is a "hate crime" and concludes there is no such thing, every person is motivated by complex inner motivations and not an external single emotion. Similar to the "war on terror", the "war on hate" is a war on an emotion that is misplaced and causes more problems than it solves.


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21 different flavors in one book

Essays are a bit like wine: the amount of material consumed is small, the taste can be extraordinarily intense, and the effect often lingers long afterwards. Essays can be bubbly and bright, like Champagne, or dark and moody like a Shiraz. An anthology like this book is something of a wine tasting, prepared by an experienced sommolier.

Alan Lightman, the editor of this year's volume, is apparently one who practices what he preaches, beginning his introduction with a lively essay about his family's Year 2000 new year's eve celebration. Just as I was thinking to myself that it was as if I had actually attended that party, he abruptly ends that story to explain the philosophy of choice that guided him in selecting the 21 essays appearing in this book, writing "The qualities I treasure most about these essays are their authenticity and life. In reading an essay, I want to feel that I'm communing with a real person..."

I doubt if anyone will find the taste of each of these essays immediately pleasing. Is it the point of such a sampling to be consistently pleasurable to every reader? I think not. Lightman has carefully chosen for his readers a wide selection of wines, including multiple varieties from several regions, and I had not tasted all of these wines before. Some were exquisite to me, evoking memories that I had not visited for many years, but not all were necessarily pleasing to my palate. Yet each is a sophisticated wine, with complex aftertastes; well-crafted by experienced vintners. You will never know what you like if you don't try new things.

Perhaps some potential readers would appreciate a few more practical details about the content of the book. There are several common themes woven through this collection. Three of the essays deal with the subject of travel--specifically with the cities of New York, Paris, and Rome. The subject of death and chronic medical problems appears several times, as does the related subject of family and its influence on the outlook of the essayists. I found two of the early essays comfortably curmudgeonly, addressing the subjects of misplaced victimhood and single-issue politics. An essay on the nature of hate by Andrew Sullivan resonated with ideas that I've been wrestling with for years. Singer's solution to world poverty should be disturbing to the conscience of just about any reader. Although several of the writers deal with spiritual themes, from my Christian perspective, the religious sentiments are somewhat superficial.

This is a diverse group of well-written essays, chosen as much for their ability to stimulate as for their reading pleasure. A desire to agree with the agendas of each author before reading would miss the point of such book.


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As this acclaimed series celebrates its fifteenth year, Alan Lightman, the best-selling author of Einstein's Dreams, has assembled a diverse, very personal collection of the year's best short nonfiction, writings that celebrate the essay as an independent genre unlike any other. In his introduction, he declares that the ideal essay is "not an assignment, to be dispatched efficiently and intelligently, but an exploration, a questioning, an introspection . . . It thrashes and moves, like all living things." These pieces embrace stylistic freedom and strong opinions while affording the reader a fascinating view of work in progress, offering a front-row seat as the writer's mind struggles with truth, memory, and experience.
This year's selection features extraordinary essays by such renowned writers as Mary Gordon, Edward Hoagland, Jamaica Kincaid, and Wendell Berry as well by some talented new voices, on a delightfully dizzying variety of subjects. Andre Aciman wrestles with memories of remembering Paris, and William H. Gass delivers an exuberant defense of the printed book as a safe port in the data storms of the information age. Peter Singer views world poverty with an ethicist's eye, and Andrew Sullivan maps the spread of hate crimes in America.
"The qualities I treasure most about these essays are their authenticity and life," Lightman writes. As this volume of THE BEST AMERICAN ESSAYS demonstrates, this unique literary form continues to thrive as a creative outlet for some of America's finest writers.


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