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The Fashion Book
Editors of Phaidon Press
Phaidon Press
, 1998 - 512 pages
average customer review:
based on 18 reviews
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highly recommended
Complete and beautiful guide!
This
book
is a must have as a reference book. It has all the important names in
fashion industry
and a great editorial design that makes it hard to put it down. Although the size is a little bit tiring ("mini edition"...mmm, kind of says it all!), the pictures couldn't been better.
fantastic
This is a flawless example of beautiful, mesmeric art. Not only does this
book capture
the ongoing development of
fashion through
the years, it presents the designers, photographers, makeup artists, and even fashion retailers who made these pieces come to life. Phaidon has always impressed me with the quality of their books, along with the meticulousness they put into choosing the perfect photos for their final product.
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A mini lexicon perfect for any fashionista!
This is a great referance
book
for anyone who loves
fashion
. It's an A-Z book of designers, illustrators, icons, photographers etc. Just about everyone is in here. This is a great book, because it's very inexpensive, small and great because you can look up just about anyone you would like. There are great pictures, and great informative blurbs, including birth and death dates and information about just what made the person so influential. If you love fashion/ fashion history, go out and get this book!
All you ever wanted to know about fashion
The
Fashion
Book
is a first-class encyclopedia on fashion as a whole. The cross-references going with each entry make this book an even more entertaining and fascinating source of information as it reveals the entity fashion from different perspectives.
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reviews
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James Abbe, a 1920s
fashion photographer
, and Zoran, the designer whose simple, monochromatic clothes were extremely popular in the 1970s, anchor the 500 entries in this massive encyclopedia of fashion. Each designer, photographer, model, or icon gets a page with a large photo and informative but short caption. This has the wonderful effect of weighting each entry equally, thereby devoting the same amount of space to Charles Revson, creator of the Revlon cosmetics empire and relative makeup newcomer Fran+šois Nars, pioneering clothing designer Mariano Fortuny and contemporary favorite Tom Ford. Clearly, a good set of eyes edited this
book
. It's a tall order to choose just one image to define the many facets of a designer, model, or photographer. The choices made here are excellent and often surprising. The indomitable Coco Chanel demonstrates the ease of movement her designs afforded women by briskly swinging her arm out to one side, while Kate Moss is shown at the height of her waifdom, likely the mode in which she will best be remembered. Model Linda Evangelista is pictured with curly locks of hair. It's obvious, too, that the editors employed the haphazard juxtaposition created by the alphabetical organization. Facing entries, no matter how seemingly incongruous, are united by a visual theme, to spectacular effect.The ovals made by the either screaming or yawning mouths of Kurt Cobain and his infant daughter are mirrored in a 1937 Jean Cocteau illustration of an Elsa Schiaparelli design. A model in a 1930s outfit by John-Frederics faces a portrait of post-punk design queen Betsey Johnson, whose floral outfit echoes the flowery silhouette behind the model. A troika of Robert Lee Morris bracelets matches the arcs of a bombed-out London building in a 1941 Beaton photo of a Digby Morton design. The vibrant prints of Emilio Pucci and Lilly Pulitzer fall together naturally.The reams of fabulous images and the inventive design alone make The Fashion Book a treat at any cost, but the low price-to-size ratio (like its cousins The Art Book and The Photography Book) makes it a real steal.
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