| |
|
The Democratic Forest
Doubleday, 1989
|
|
|
|
|
|
| |
|
William Eggleston: The Hasselblad Award 1998 5 reviews William Eggleston, Gunilla Knape, ...
Scalo Publishers - Hasselblad Center, 1999
A masterful survey of a master photographer
+ Enigmatic photographs + Good Intro to Eggleston's Work + A handsome addition to your Eggleston collection + Eggleston Rules In Color Photography
|
|
|
|
|
|
| |
|
Aperture Ninety-Six : Fall 1984
Silver Mountain Foundation, 1984
|
|
|
|
|
|
| |
|
William Eggleston's Guide 4 reviews John Szarkowski
The Museum of Modern Art, New York, 2002
An excellent re-release.
+ essential work + the original + Bill's artful snapshots
|
|
|
|
|
|
| |
|
5x7 6 reviews William Eggleston (Photographer)
Twin Palms Publishers, 2007
Being There
+ ugly is the new black + An Eggleston By-way + Portraits, etc. + William Eggleston 5x7
|
|
|
|
|
|
| |
|
William Christenberry's Black Belt 1 review William Christenberry
University Alabama Press, 2007
A superbly produced and presented compendium of works by a master artist
William Christenberry is a popular American artist and a master of such diverse media of expression as photography, pen-and-ink drawing, painting, collage, sculpture, and miniaturization. "William Christenberry's Black Belt" is a collection of his work exploring such universal themes as family, ...
|
|
|
|
|
|
| |
|
Christenberry: Reconstruction : The Art of William Christenberry 4 reviews Trudy Wilner Stack, William Christenberry, ...
University Press of Mississippi, 1996
A visual treat!
+ Splendid Introduction to Christenberry's Work + Excellent homage to a superlative artist + An important American artist gets his due.
|
|
|
|
|
|
| |
|
William Christenberry: Art & Family 1 review J. Richard Gruber
University of New Orleans Publishing, 2000
A Story of Place and Generations
The Christenberry family that has roots in Central Western Alabama is celebrated in this immaculately crafted small book.
In perfect step with the care and heart that is revealed in the evolving character of this family, a story that begins in the earlier decades of the 20th Century in rural ...
|
|
|
|
|
|
| |
|
William Christenberry 4 reviews Andy Grundberg, Elizabeth Broun, ...
Aperture, 2006
Shades of Walker Evans
+ The beauty of the ephemeral + Aperture and Christenberry : A triumph. + Christenberry finds mystery in the ordinary
|
|
|
|
|
|
| |
|
William Christenberry: The Early Years, 1954-1968 J. Richard Gruber
University Alabama Press, 1998
Throughout The Early Years, Christenberry's work is presented as part of an evolutionary series of developments that began with Christenberry's immersion in the Abstract Expressionist philosophies and techniques taught at the University of Alabama during his years as a student there (1954-1959) and continued through his abandonment of painting on canvas (1964) and his inclusion of signs and found ...
|
|
|
|
|
|
| |
|
Aperture 181 - Winter 2005
Aperture Foundation, 2005
Alfredo Jarr: Lament of the Images;Mary Ellen Mark: 20 Years of Tiny;Elena Dorfman: Still Lovers;Esteban Pastorino Diaz's Views;Alex Webb in Istanbul; William Eggleston: New York
|
|
|
|
|
|
| |
|
William Christenberry: Disappearing Places Susanne Lange, Claudia Schubert, ...
Richter Verlag, 2002
If Alabama-born artist William Christenberry regularly engages with the countryside of his home state, with the artlessness of the rural idyll, and the local architecture and its relationship to space, his multimedia installation, the so-called "Klan Room," takes this discourse one step further, deeper, and darker. The room, a continuously evolving work-in-progress consisting of a mass of ...
|
|
|
|
|
|
| |
|
Grand Street, 36 (Grand Street) Grand Street
Grand Street, 1990
|
|
|
|
|
|
| |
|
Los Alamos 5 reviews William Eggleston
Scalo Publishers, 2003
Insanely great photography
+ Egglestomania + It's not about Los Alamos + No text distracts from the full-page photographs + Spectacular book!
|
|
|
|
|
|
| |
|
William Christenberry: Working from Memory William Christenberry
Steidl, 2008
Working from Memory is a collection of stories by the renowned photographer, painter and sculptor William Christenberry. Based on conversations with author and critic Susanne Lange, these stories elaborate the artist's memories of the Deep South, in whose rich literary tradition they are steeped. In a lyrical but lucid prose, they set personal experience against the backdrop of important ...
|
|
|
|
|
|
| |
|
William Eggleston William Eggleston, Herve Chandes
Thames & Hudson, 2002
Born in 1939 in Memphis, Tennessee, where he still lives, William Eggleston is widely considered one of America's most important photographers. His 1976 one-man exhibition, Photographs by William Eggleston, at The Museum of Modern Art in New York, marked a turning point in the history of photography: this was when colour photography gained recognition as a medium of artistic expression. His ...
|
|
|
|
|
|
| |
|
William Eggleston In the Real World 9 reviews William J. Eggleston
Palm Pictures / Umvd, 2006
Eccentric Pleasures
+ Happy to have not been born in the Middle Ages before there were the photographs of William Eggleston + illuminating + An Artist Sees An Artist
|
|
|
|
|
|
| |
|
Faulkner's Mississippi 1 review Willie Morris
Oxmoor House, 1990
The Best of Both Worlds
Faulkner's Mississippi
With excerpts from Sanctuary, The Faulkner Reader, As I Lay Dying, The Unvanquished, Light in August, Essays, Go Down, Moses; Absalom, Absalom!; and the exceptional writing style of editor/novelist Willie Morris, this work reveals the textures of Faulkner's ...
|
|
|
|
|
|
| |
|
William Eggleston, 2 1/4 7 reviews William Eggleston
Twin Palms Publishers, 1999
Maybe look for a first edition?
+ Beautiful + Beg, borrow, buy or steal this book + A fine addition to the Eggleston catalog
|
|
|
|
|
|
| |
|
William Eggleston 2-13 Eggleston William
Paris: Marion de Beaupré, 1998
First edition, first printing. Soft cover. Matt white wrappers, saddle-bound, with tipped in four-color plate (Eggleston's "Cigarette Machine") on cover; additional die-cut wrapper with duotone image (taken by Huger Foote) depicting Eggleston holding a rifle; the whole contained in a clear vinyl envelope printed with title in black and sealed with a printed sticker. Photographs by William ...
|
|
|
|
|
|